I'm Dave. And I had a photography hobby that turned serious.
Sometime around 2000 I stumbled into the photography thing quite oddly enough, while running the (now defunct) Midwestern online music magazine, The eKo. My friend Keith and I were graced with many photo passes as an add-on to our press credentials while doing artist interviews. It was the film point 'n shoot days for me. All I knew was how to push "the button". I was always frustrated that my photos looked like snapshots and knew that I wanted something more. It was a short time later that I by chance found the Paper Brigade (www.paperbrigade.com) while trying to find inspiration for my feeble graphic design attempts. It was my very first introduction into the world underground photography and web forums as a whole. I just began to kinda soak up the resources, photo techniques and online relationships I made there. It was four years ago or more that fell in love with some of the work I saw, but was afraid to ever show so much as one of my crappy photo attempts. I was awestruck by some the young upstart photographers such as James Davis, Jason Messer, Jeremy Weiss, Bryan Sheffield, Zack Arias, Brandon Merkel, Nathan Baker, Rennie Solis, and Rob Dobi, amongst several others, several of which are now good friends of mine.
It was through those relationships I made on that board and by process of learning through trial and error, that I began to develop my own style of shooting. It was an awkward (sorta puberty-ish type) process, but I began to feel it over time. I was finally able to muster up enough courage to send an email to one of the above photographers, asking a few simple questions. Zack Arias had enough passion for his own work and that of helping others, that he gave of himself to lend me some simple advice. He had enough fortitude to talk to me honestly and answer my questions without a hint of ego. To this day, that has made a lasting impression on me and I have since, always responded to those that ask me for similar advice or to say, "hey, I love your work." As I see it, we're all here to share or at least to say, "thanks!" Regardless of how busy we may be...
In all actuality, I've never taken so much as one photography class in my life. I began by shooting film and studying the basics of light. My first camera was my Dad's Mamiya 1000DTL 35mm that he purchased while he was in the Philippines in 1968. Yeah, batteries were almost impossible to find and I had no light meter, but the camera worked. After time, I went through several Canon film bodies (Rebel, EOS-1n, EOS-3) and hundreds of rolls of film before I ever picked up a digital camera. The learning curve was steep, but in all honesty I don't think I would be half as good as I am today, without learning the basics first. I dragged a camera with me everywhere. My wife hated it. But I stayed with it.
Then the thought of shooting weddings came to mind. "Weddings? WTF? You gotta be kidding me! No. Way." What the hell! I reluctantly gave in. In 2004 I shot two weddings. One for some friends of mine and the other as a referral from our strange babysitter. I charged $300 each and wanted the money to buy a used Canon D30. Sweet ever-lovin' digital technology at a blazing 3.2 megapixels! The first wedding was weird. Even though I knew Jon and Leah, the shots turned out as unusual as her wedding dress looked. The second wedding was six months later. Yeah, about that... I went into it thinking I had to shoot it the same way I perceived every other photographer shoots a wedding in northeast Wisconsin. Fake, cheesy, and loaded with 80's glitz. Let's just say they got an annulment three days after the wedding and to this day, have refused to take delivery of the images. Off to a great start with crappy wedding photos, I walked away telling myself I would never shoot another wedding as long as I lived.
I maintained that standpoint for some time. I wanted nothing to do with it. Ever. I was feeling as if a career in photography was seemingly impossible, believing I would never be able to break free from the cop mold to follow my heart. That all soon changed.
I was asked to shoot a wedding for a co-worker's sister the following year. I was gun-shy to say the least, but reluctantly agreed. Going into the wedding, I knew I had to do something different. Weddings seemed far too contrived for me to believe that I could do them my own way. After searching the internet and finding inspiration in some other wedding photographer's work (some of whom still post here on this board, but will remain nameless), I realized I could put my own twist on it. The results blew me away. I was in love. Sara and Kirk's wedding opened my doors wide open, eventually leading me to build a whole new portfolio.
It's like I've taken small bits and pieces from my inspirations along the way, and mashed them all together to find out what works for me. I've had the moments of finding those awesome photographers, who use the latest techniques to make their photos look all cool and trendy. From time to time I may have even told myself that I wanted to shoot just like them . But in reality, I'm glad I don't. My style is still evolving into something I can uniquely call my own. At times I feel like I'm worlds away from reaching that goal, but I continually remind myself that this is a learning process in which I have a lot of room to grow. I think we all do.